StageConnect Hub with Bus Powering for Personal Monitor Mixers
-
Distribution hub with StageConnect bus powering for up to 8 personal monitoring mixers
-
Compatible with Behringer P24 personal mixers, AES50, Ultranet and Analog Connectivity
-
4 StageConnect front ports for powering 2 daisy-chained mixers each, minimizing on-stage cabling
-
16 balanced analog outputs on 1/4" TRS, for sending up to 8 personal stereo mixes to wireless IEM transmitters
-
StageConnect 26 x 6-channel audio transmission at sub-milisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz, using a standard XLR cable (DMX cable recommended)
-
StageTalk intercom system for communication between FOH, stage technician and musicians
-
Stable operation range up to 40 m via DMX type XLR cable - standard microphone cable can be used for short connections
-
AES50 In and Thru, with 48 x 48 channels on CAT5E STP cable up to 80 m
-
Ultranet Input with 16 channels on CAT5 STP cable up to 75 m
-
Ultranet In and Outputs for interfacing with various Behringer P16 personal monitoring equipment
-
Integrated sample rate conversion for compatibility with 96 kHz AES50-equipped devices, such as Midas HD consoles
-
Rugged 1U rackmount chassis for durability in portable applications
-
Integrated
Power to the Performers
Having a dedicated monitor mix engineer can be expensive and running monitor mixing from FOH can be too demanding-- neither of these is ideal. What if every musician could create their personal monitor mix with a small dedicated mixer on-stage? That's what Personal Monitoring is all about!
Save time and energy by giving the control to the musicians! Personal monitors also allow for built-in effects, improving sound; built-in microphones, improving both communication and immersion; All controlled with a simplified user interface.
P24 Scales to You
No matter if you're using a single P24 to provide an artist's mix in your studio recording room, or you're deploying a large setup for an orchestra pit with several daisy-chained P24HUBs-- setup and configuration is always a breeze.
The P24HUB is the obvious choice for larger setups especially in touring applications. However, several P24 personal mixers can be daisy-chained without a hub. This is ideal when supporting smaller impromptu gigs.
Go Long
For the most robust performance and longest cable runs, using high-quality DMX cabling is recommended.
For short connections, standard XLR cables can be used. As there is no capacitance standard for microphone cables, range performance can vary substantially. Investing in high-quality DMX cables helps P24 perform best.
Widespread Compatibility and Connectivity
P24HUB can be fed audio from 4 source connections:
- AES50 25-48: 12 stereo groups as well as channel strip labelling for all P24 mixers
- AES50 33-48: 8 mono and 4 stereo groups as well as channel strip labelling for all P24 mixers
- StageConnect: 12 stereo groups as well as channel strip labelling for all P24 mixers
- Ultranet: 8 mono and 4 stereo groups
P24HUB is compatible across a wide variety of Behringer and Midas digital mixers. From using Ultranet with the Behringer XR18 digital mixer, to StageConnect with Behringer WING. P24HUB even includes a 96k-to-48k converter over AES50 for high-end console usage.
The Perfect Wireless IEM Pairing
P24HUB's 8 pairs of balanced stereo outputs allow for up to 8 sets of wireless IEMs.
For a cleaner workstation, P24HUB can be the controller for all wireless IEMs. Both the hub and the IEM transmitters can be stored in a separate side rack
If talent on-stage are all using wired headphones or IEMs, the 16 balanced outputs can be used to drive supplemental loudspeakers and amplifiers.
Power Up Multiple P24s!
P24HUB allows for up to 4 P24's connected directly. Each P24 mixer can also have a second P24 daisy-chained for a total of 8 personal mixers per P24HUB.
Using the P24HUB can also output each of the personal mixes on each of the 16 analog TRS out.
Daisy-chaining P24 mixers without a P24HUB is also possible, however every other mixer will need their own DC power supply.
Simply Go Anywhere
Integrating P24HUB into your rack unit is extremely easy and its compact 1U form-factor makes installation and integration a breeze. P24HUB's chassis is engineered to be durable for life on the road.
The P24HUB can live in the same side rack as all wireless IEM transmitters, with everything pre-wired and organized. The included auto-switching power supply allows for worldwide tour usage.
Communication Made Simple
Communication between engineers and on-stage talent is vital for a smooth performance. With P24HUB's StageTalk intercom system, individual channels for FOH, stage technicians and musicians can all communicate cohesively. Using the two 4.2 outputs for talkback signal, engineers can set up a wedge or headphone amp for monitoring as well.
StageConnect: Connect More with Less
Transfer 32 channels of 44.1kHz/48kHz and 24-bit audio to and from I/O interfaces, hubs, personal monitoring mixers, and more using just one XLR/DMX cable.
- For the best possible quality and maximum length, using high quality DMX cabling allows for the best reliability and longest cable runs.
- It is also possible to use standard XLR mic cabling for short connections of a few meters, such as connecting your side rack or internal rack connections
- The StageConnect Configurator app helps to calculate channel count, power requirements, and cable lengths for StageConnect setups. Available for Mac, PC and Linux.
Specification
Connections
| AES50 sync HOST/Master/thru |
2 × RJ45 |
| ULTRANET input/output |
2 × RJ45 |
| StageConnect HOST/Master |
1 × male |
| StageConnect CLIENT/Slave |
1 × female |
| StageConnect remote outputs |
4 × male |
| Analog outputs |
16 × 1/4" TRS |
| USB |
Type B |
AES50
| Audio channels |
16/24 |
| Sample rate |
44.1 / 48 kHz |
| Bit depth |
24 bit |
| Remote power |
PoE (IEEE802.3at) |
| Latency |
146 μs at 44.1 Hz / 125 μs at 48 kHz |
| Cable length |
up to 80 m |
StageConnect
| Audio channels |
24 |
| Sample rate |
44.1 / 48 kHz |
| Bit depth |
24 bit |
| Phantom power |
12 V DC / 18 W |
| Latency |
146 μs at 44.1 Hz / 125 μs at 48 kHz |
| Cable |
XLR balanced or DMX cable |
| Cable length |
up to 40 m with 110 ohm DMX cable |
Power
| Power consumption |
125 W |
| Mains connection |
Standard IEC receptacle |
Dimensions/weight
| Dimensions (H × W × D) |
44 × 483 × 151 mm (1.8 × 19.0 × 5.9") |
| Weight |
2.72 kg (6.00 lbs) |
P24 HUB
StageConnect Hub with Bus Powering for Personal Monitor Mixers
-
Distribution hub with StageConnect bus powering for up to 8 personal monitoring mixers
-
Compatible with Behringer P24 personal mixers, AES50, Ultranet and Analog Connectivity
-
4 StageConnect front ports for powering 2 daisy-chained mixers each, minimizing on-stage cabling
-
16 balanced analog outputs on 1/4" TRS, for sending up to 8 personal stereo mixes to wireless IEM transmitters
-
StageConnect 26 x 6-channel audio transmission at sub-milisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz, using a standard XLR cable (DMX cable recommended)
-
StageTalk intercom system for communication between FOH, stage technician and musicians
-
Stable operation range up to 40 m via DMX type XLR cable - standard microphone cable can be used for short connections
-
AES50 In and Thru, with 48 x 48 channels on CAT5E STP cable up to 80 m
-
Ultranet Input with 16 channels on CAT5 STP cable up to 75 m
-
Ultranet In and Outputs for interfacing with various Behringer P16 personal monitoring equipment
-
Integrated sample rate conversion for compatibility with 96 kHz AES50-equipped devices, such as Midas HD consoles
-
Rugged 1U rackmount chassis for durability in portable applications
-
Integrated
Power to the Performers
Having a dedicated monitor mix engineer can be expensive and running monitor mixing from FOH can be too demanding-- neither of these is ideal. What if every musician could create their personal monitor mix with a small dedicated mixer on-stage? That's what Personal Monitoring is all about!
Save time and energy by giving the control to the musicians! Personal monitors also allow for built-in effects, improving sound; built-in microphones, improving both communication and immersion; All controlled with a simplified user interface.
P24 Scales to You
No matter if you're using a single P24 to provide an artist's mix in your studio recording room, or you're deploying a large setup for an orchestra pit with several daisy-chained P24HUBs-- setup and configuration is always a breeze.
The P24HUB is the obvious choice for larger setups especially in touring applications. However, several P24 personal mixers can be daisy-chained without a hub. This is ideal when supporting smaller impromptu gigs.
Go Long
For the most robust performance and longest cable runs, using high-quality DMX cabling is recommended.
For short connections, standard XLR cables can be used. As there is no capacitance standard for microphone cables, range performance can vary substantially. Investing in high-quality DMX cables helps P24 perform best.
Widespread Compatibility and Connectivity
P24HUB can be fed audio from 4 source connections:
- AES50 25-48: 12 stereo groups as well as channel strip labelling for all P24 mixers
- AES50 33-48: 8 mono and 4 stereo groups as well as channel strip labelling for all P24 mixers
- StageConnect: 12 stereo groups as well as channel strip labelling for all P24 mixers
- Ultranet: 8 mono and 4 stereo groups
P24HUB is compatible across a wide variety of Behringer and Midas digital mixers. From using Ultranet with the Behringer XR18 digital mixer, to StageConnect with Behringer WING. P24HUB even includes a 96k-to-48k converter over AES50 for high-end console usage.
The Perfect Wireless IEM Pairing
P24HUB's 8 pairs of balanced stereo outputs allow for up to 8 sets of wireless IEMs.
For a cleaner workstation, P24HUB can be the controller for all wireless IEMs. Both the hub and the IEM transmitters can be stored in a separate side rack
If talent on-stage are all using wired headphones or IEMs, the 16 balanced outputs can be used to drive supplemental loudspeakers and amplifiers.
Power Up Multiple P24s!
P24HUB allows for up to 4 P24's connected directly. Each P24 mixer can also have a second P24 daisy-chained for a total of 8 personal mixers per P24HUB.
Using the P24HUB can also output each of the personal mixes on each of the 16 analog TRS out.
Daisy-chaining P24 mixers without a P24HUB is also possible, however every other mixer will need their own DC power supply.
Simply Go Anywhere
Integrating P24HUB into your rack unit is extremely easy and its compact 1U form-factor makes installation and integration a breeze. P24HUB's chassis is engineered to be durable for life on the road.
The P24HUB can live in the same side rack as all wireless IEM transmitters, with everything pre-wired and organized. The included auto-switching power supply allows for worldwide tour usage.
Communication Made Simple
Communication between engineers and on-stage talent is vital for a smooth performance. With P24HUB's StageTalk intercom system, individual channels for FOH, stage technicians and musicians can all communicate cohesively. Using the two 4.2 outputs for talkback signal, engineers can set up a wedge or headphone amp for monitoring as well.
StageConnect: Connect More with Less
Transfer 32 channels of 44.1kHz/48kHz and 24-bit audio to and from I/O interfaces, hubs, personal monitoring mixers, and more using just one XLR/DMX cable.
- For the best possible quality and maximum length, using high quality DMX cabling allows for the best reliability and longest cable runs.
- It is also possible to use standard XLR mic cabling for short connections of a few meters, such as connecting your side rack or internal rack connections
- The StageConnect Configurator app helps to calculate channel count, power requirements, and cable lengths for StageConnect setups. Available for Mac, PC and Linux.
Specification
Connections
| AES50 sync HOST/Master/thru |
2 × RJ45 |
| ULTRANET input/output |
2 × RJ45 |
| StageConnect HOST/Master |
1 × male |
| StageConnect CLIENT/Slave |
1 × female |
| StageConnect remote outputs |
4 × male |
| Analog outputs |
16 × 1/4" TRS |
| USB |
Type B |
AES50
| Audio channels |
16/24 |
| Sample rate |
44.1 / 48 kHz |
| Bit depth |
24 bit |
| Remote power |
PoE (IEEE802.3at) |
| Latency |
146 μs at 44.1 Hz / 125 μs at 48 kHz |
| Cable length |
up to 80 m |
StageConnect
| Audio channels |
24 |
| Sample rate |
44.1 / 48 kHz |
| Bit depth |
24 bit |
| Phantom power |
12 V DC / 18 W |
| Latency |
146 μs at 44.1 Hz / 125 μs at 48 kHz |
| Cable |
XLR balanced or DMX cable |
| Cable length |
up to 40 m with 110 ohm DMX cable |
Power
| Power consumption |
125 W |
| Mains connection |
Standard IEC receptacle |
Dimensions/weight
| Dimensions (H × W × D) |
44 × 483 × 151 mm (1.8 × 19.0 × 5.9") |
| Weight |
2.72 kg (6.00 lbs) |
StageConnect Hub with Bus Powering for Personal Monitor Mixers
-
Distribution hub with StageConnect bus powering for up to 8 personal monitoring mixers
-
Compatible with Behringer P24 personal mixers, AES50, Ultranet and Analog Connectivity
-
4 StageConnect front ports for powering 2 daisy-chained mixers each, minimizing on-stage cabling
-
16 balanced analog outputs on 1/4" TRS, for sending up to 8 personal stereo mixes to wireless IEM transmitters
-
StageConnect 26 x 6-channel audio transmission at sub-milisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz, using a standard XLR cable (DMX cable recommended)
-
StageTalk intercom system for communication between FOH, stage technician and musicians
-
Stable operation range up to 40 m via DMX type XLR cable - standard microphone cable can be used for short connections
-
AES50 In and Thru, with 48 x 48 channels on CAT5E STP cable up to 80 m
-
Ultranet Input with 16 channels on CAT5 STP cable up to 75 m
-
Ultranet In and Outputs for interfacing with various Behringer P16 personal monitoring equipment
-
Integrated sample rate conversion for compatibility with 96 kHz AES50-equipped devices, such as Midas HD consoles
-
Rugged 1U rackmount chassis for durability in portable applications
-
Integrated
Power to the Performers
Having a dedicated monitor mix engineer can be expensive and running monitor mixing from FOH can be too demanding-- neither of these is ideal. What if every musician could create their personal monitor mix with a small dedicated mixer on-stage? That's what Personal Monitoring is all about!
Save time and energy by giving the control to the musicians! Personal monitors also allow for built-in effects, improving sound; built-in microphones, improving both communication and immersion; All controlled with a simplified user interface.
P24 Scales to You
No matter if you're using a single P24 to provide an artist's mix in your studio recording room, or you're deploying a large setup for an orchestra pit with several daisy-chained P24HUBs-- setup and configuration is always a breeze.
The P24HUB is the obvious choice for larger setups especially in touring applications. However, several P24 personal mixers can be daisy-chained without a hub. This is ideal when supporting smaller impromptu gigs.
Go Long
For the most robust performance and longest cable runs, using high-quality DMX cabling is recommended.
For short connections, standard XLR cables can be used. As there is no capacitance standard for microphone cables, range performance can vary substantially. Investing in high-quality DMX cables helps P24 perform best.
Widespread Compatibility and Connectivity
P24HUB can be fed audio from 4 source connections:
- AES50 25-48: 12 stereo groups as well as channel strip labelling for all P24 mixers
- AES50 33-48: 8 mono and 4 stereo groups as well as channel strip labelling for all P24 mixers
- StageConnect: 12 stereo groups as well as channel strip labelling for all P24 mixers
- Ultranet: 8 mono and 4 stereo groups
P24HUB is compatible across a wide variety of Behringer and Midas digital mixers. From using Ultranet with the Behringer XR18 digital mixer, to StageConnect with Behringer WING. P24HUB even includes a 96k-to-48k converter over AES50 for high-end console usage.
The Perfect Wireless IEM Pairing
P24HUB's 8 pairs of balanced stereo outputs allow for up to 8 sets of wireless IEMs.
For a cleaner workstation, P24HUB can be the controller for all wireless IEMs. Both the hub and the IEM transmitters can be stored in a separate side rack
If talent on-stage are all using wired headphones or IEMs, the 16 balanced outputs can be used to drive supplemental loudspeakers and amplifiers.
Power Up Multiple P24s!
P24HUB allows for up to 4 P24's connected directly. Each P24 mixer can also have a second P24 daisy-chained for a total of 8 personal mixers per P24HUB.
Using the P24HUB can also output each of the personal mixes on each of the 16 analog TRS out.
Daisy-chaining P24 mixers without a P24HUB is also possible, however every other mixer will need their own DC power supply.
Simply Go Anywhere
Integrating P24HUB into your rack unit is extremely easy and its compact 1U form-factor makes installation and integration a breeze. P24HUB's chassis is engineered to be durable for life on the road.
The P24HUB can live in the same side rack as all wireless IEM transmitters, with everything pre-wired and organized. The included auto-switching power supply allows for worldwide tour usage.
Communication Made Simple
Communication between engineers and on-stage talent is vital for a smooth performance. With P24HUB's StageTalk intercom system, individual channels for FOH, stage technicians and musicians can all communicate cohesively. Using the two 4.2 outputs for talkback signal, engineers can set up a wedge or headphone amp for monitoring as well.
StageConnect: Connect More with Less
Transfer 32 channels of 44.1kHz/48kHz and 24-bit audio to and from I/O interfaces, hubs, personal monitoring mixers, and more using just one XLR/DMX cable.
- For the best possible quality and maximum length, using high quality DMX cabling allows for the best reliability and longest cable runs.
- It is also possible to use standard XLR mic cabling for short connections of a few meters, such as connecting your side rack or internal rack connections
- The StageConnect Configurator app helps to calculate channel count, power requirements, and cable lengths for StageConnect setups. Available for Mac, PC and Linux.
Specification
Connections
| AES50 sync HOST/Master/thru |
2 × RJ45 |
| ULTRANET input/output |
2 × RJ45 |
| StageConnect HOST/Master |
1 × male |
| StageConnect CLIENT/Slave |
1 × female |
| StageConnect remote outputs |
4 × male |
| Analog outputs |
16 × 1/4" TRS |
| USB |
Type B |
AES50
| Audio channels |
16/24 |
| Sample rate |
44.1 / 48 kHz |
| Bit depth |
24 bit |
| Remote power |
PoE (IEEE802.3at) |
| Latency |
146 μs at 44.1 Hz / 125 μs at 48 kHz |
| Cable length |
up to 80 m |
StageConnect
| Audio channels |
24 |
| Sample rate |
44.1 / 48 kHz |
| Bit depth |
24 bit |
| Phantom power |
12 V DC / 18 W |
| Latency |
146 μs at 44.1 Hz / 125 μs at 48 kHz |
| Cable |
XLR balanced or DMX cable |
| Cable length |
up to 40 m with 110 ohm DMX cable |
Power
| Power consumption |
125 W |
| Mains connection |
Standard IEC receptacle |
Dimensions/weight
| Dimensions (H × W × D) |
44 × 483 × 151 mm (1.8 × 19.0 × 5.9") |
| Weight |
2.72 kg (6.00 lbs) |
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SHIPPING
Domestic delivery only
PRODUCT WARRANTY
For electric and electronic product only.
MAINTENANCE
Only products purchased from importers and dealer that has a warranty on the product.