One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio® pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio® Crunch Lab™ Bridge Model ensued from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, “Black Clouds & Silver Linings”. John swears this is the best live and studio sound he has ever had, and the name says it all — “crunch” is what it’s all about with a big, tight sound that’s neither muddy nor thin.

          The Crunch Lab™ is noteworthy (bad pun alert) for what it doesn't do: it's not a screamer, and it's not about thundering lows. Its physical appearance is identical to the D Sonic™, but the internal design is a lot different. It's louder, and the highs have more depth. The lows and mids are more open, and this is crucial for playing chords with body and presence through a gained-out amp. The voicing of the pickup is also different enough to the point that John prefers the Crunch Lab™ to be installed in almost all of his guitars (including the JP Bari) with the solid bar toward the neck, regardless of the guitar's tuning.

 

500K Volume Pot, 500K Tone Pot, .022 uF Capacitor

Quick Connect : No
Wiring : 4 Conductor
Magnet : Ceramic
Resistance : 11.03 Kohm

Output : 410
Bass : 5.0
Low Mid : 7.0 
High Mid : 6.0
Treble : 3.5

 

          “In the style of music that I play, I need to cover a wide range of sounds: from raw, tight, and heavy, to warm and singing, to articulate and expressive. DiMarzio pickups help to bring all of these elements out in my playing. They have truly become a part of my musical identity as a guitarist.”

          “Versatility, clarity and tone. DiMarzio pickups give me all that a modern guitarist needs to get a perfect sound in any situation.”

          “DiMarzio pickups are simply put the best and most expressive pickups on the planet. I've been using them since 11th grade.”

Accessories
Dimarzio

CRUNCH LAB™ DP-228 F

Regular price
Sale price
4,800 ฿
Unit price
per 
In Stock
No Warranty

DESCRIPTION

          One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio® pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio® Crunch Lab™ Bridge Model ensued from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, “Black Clouds & Silver Linings”. John swears this is the best live and studio sound he has ever had, and the name says it all — “crunch” is what it’s all about with a big, tight sound that’s neither muddy nor thin.

          The Crunch Lab™ is noteworthy (bad pun alert) for what it doesn't do: it's not a screamer, and it's not about thundering lows. Its physical appearance is identical to the D Sonic™, but the internal design is a lot different. It's louder, and the highs have more depth. The lows and mids are more open, and this is crucial for playing chords with body and presence through a gained-out amp. The voicing of the pickup is also different enough to the point that John prefers the Crunch Lab™ to be installed in almost all of his guitars (including the JP Bari) with the solid bar toward the neck, regardless of the guitar's tuning.

 

500K Volume Pot, 500K Tone Pot, .022 uF Capacitor

Quick Connect : No
Wiring : 4 Conductor
Magnet : Ceramic
Resistance : 11.03 Kohm

Output : 410
Bass : 5.0
Low Mid : 7.0 
High Mid : 6.0
Treble : 3.5

 

          “In the style of music that I play, I need to cover a wide range of sounds: from raw, tight, and heavy, to warm and singing, to articulate and expressive. DiMarzio pickups help to bring all of these elements out in my playing. They have truly become a part of my musical identity as a guitarist.”

          “Versatility, clarity and tone. DiMarzio pickups give me all that a modern guitarist needs to get a perfect sound in any situation.”

          “DiMarzio pickups are simply put the best and most expressive pickups on the planet. I've been using them since 11th grade.”

          One thing has stayed consistent throughout John Petrucci’s long and successful career: the DiMarzio® pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio® Crunch Lab™ Bridge Model ensued from our most recent collaboration with John. He used it throughout Dream Theater’s tenth studio album, “Black Clouds & Silver Linings”. John swears this is the best live and studio sound he has ever had, and the name says it all — “crunch” is what it’s all about with a big, tight sound that’s neither muddy nor thin.

          The Crunch Lab™ is noteworthy (bad pun alert) for what it doesn't do: it's not a screamer, and it's not about thundering lows. Its physical appearance is identical to the D Sonic™, but the internal design is a lot different. It's louder, and the highs have more depth. The lows and mids are more open, and this is crucial for playing chords with body and presence through a gained-out amp. The voicing of the pickup is also different enough to the point that John prefers the Crunch Lab™ to be installed in almost all of his guitars (including the JP Bari) with the solid bar toward the neck, regardless of the guitar's tuning.

 

500K Volume Pot, 500K Tone Pot, .022 uF Capacitor

Quick Connect : No
Wiring : 4 Conductor
Magnet : Ceramic
Resistance : 11.03 Kohm

Output : 410
Bass : 5.0
Low Mid : 7.0 
High Mid : 6.0
Treble : 3.5

 

          “In the style of music that I play, I need to cover a wide range of sounds: from raw, tight, and heavy, to warm and singing, to articulate and expressive. DiMarzio pickups help to bring all of these elements out in my playing. They have truly become a part of my musical identity as a guitarist.”

          “Versatility, clarity and tone. DiMarzio pickups give me all that a modern guitarist needs to get a perfect sound in any situation.”

          “DiMarzio pickups are simply put the best and most expressive pickups on the planet. I've been using them since 11th grade.”

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